17x22 Piezography Carbon print

Hahnemuhle Photo Rag
Paper Notes: Matte, 100% Cotton, White with minimal amount of OBAs. This paper started the fine-art digital inkjet revolution. It has an incredibly rich tonal range with Piezography ink. 100% archival.

Hahnemuhle Bamboo
Paper Notes: Smooth, Thick, Matte, Bamboo fiber, Very Warm with zero OBAs. This paper is environmentally and ethically friendly (no cotton!). It is one of the warmest papers on the market. The paper surface is truly exceptional and professional-grade and surpasses the dMax (how black the black gets) of any paper we offer. 100% archival. 100% sustainable.

Hahnemuhle Museum Etching
Paper Notes: Matte-Textured, loose grain, 100% Cotton, mid-white, mould-made felting. Museum Etching has a smooth wide grain and it’s a very thick 350gsm paper. It’s great for prints that require tough paper that will hold up to a lot of abuse. It doesn’t flake. This paper is one of the oldest continuously-made paper in history. 100% archival.

JonCone Studio Type 5
Paper Notes: Designed by Jon Cone. Baryta surface, semi-gloss but the least amount of gloss possible, warm-white non-OBA. Very thick rigid paper. This paper is the perfect fine-art paper for traditional semi-gloss Piezography printing. It is the only baryta paper that has an uncoated backing (for pencil signing). 100% archival.

Hahnemuhle Photo Gloss Baryta
Paper Notes: This is a brand-new very glossy Baryta paper brand from Hahnemuhle. This paper is the closest match to the surface of a traditional silver print ever created and is a viable option for photographers looking to show digital prints in the same portfolio as silver prints. If you are looking for a print that mimics B&W silver, look no further than Piezography Pro inks on this paper.